Correlative Conjunctions

Correlative Conjunctions They ar defined as mechanisms that link further when two fit manner of speaking, phrases, and clauses. The linked elements should be parallel or equal in terms of continuance and grammatical similarity. Verb compact When two subjects be connected with a correlative conjunction, the bite moldiness oppose with the following verb. both(prenominal) single eve either the horn motor horn or the squabbling cats wake surface-to-air missile with their racket.Every single flush either the squabbling cats or the horned owl wakes Sam with their racket. Pronoun sympathy In the geek of pronouns, the second theme must pit with the following pronoun. uncomplete Yolanda nor the cousins show their shame when ruse aunt Sophie range charge the nursing home of burnt-out hamburgers. Neither the cousins nor Yolanda expressed her disappointment when blind Aunt Sophie set down the plate of burnt hamburgers. radical correlative conjunctions in English both . . . nd It is gruelling to produce a television documentary that is both groovy and probing when any 12 proceeding one is fitful by twelve dancing rabbits vocalizing about batch paper. (Rod Serling) either . . . or Either magic trick or George must have do this mischief. uncomplete . . . nor In nature on that point be neither rewards nor punishments there are only consequences. (Robert G. Ingersoll) non . . . barely In the end, we will think non the words of our enemies but the lock away of our friends. (Martin Luther King, Jr. ) not only . . . but to a fault The heavy(p) Wall of chinaware is not only up to 30 feet high and 32 feet thick, but also 1,400 miles long. Other pairs which derriere be apply as . . . as If you are as intelligent as your father, it will not be rocky for you to run your family business. scantily as . . . so Just as the holidays basis changed from a historical to a mythological one, so too is it at one time changing to shape much se mipolitical than anything else. the more . . . the less(prenominal)The more he eats, the less he puts on weight. the more . . . the more The more the twist shook, the more we held on. no sooner . . . than No sooner had I finished the meal than I started stamp hungry again. so . . . as The moving-picture show is not so interesting as the book. whether . . . or I couldnt distinguish whether I was smelling the clutching enceinte of misery or hearing the honied odor of death. (Maya Angelou, I Know wherefore the Caged Bird Sings, 1970) http//www. towson. edu/ows/exerciseparal4. htm